The Tempest is an unusual show for Shakespeare in a number of senses. It was his final play and as such has a sweet poignancy, even melancholy. It is the only one of his plays to take place in real time. It is hard to classify: normally, it is lumped in with the comedies, but it has decided elements of history, tragedy (although no one dies), and the fantastical. It coincided with European settlement of the New World, a globally significant that is thought to have influenced Shakespeare’s portrait of a new, miniature society created in Europe’s image in a wild place. The 7-8 class also created a Storm Project presentation on Google Slides (click on the link, then 'Present' in the upper right, then 'Exit' after the 23 slides are done). It was projected on the wall downstairs at our staircase entrance.
There is charming air of transitions in The Tempest: Prospero to his former, beloved life; Miranda to adulthood, Ferdinand too; Alonso to absolution; Ariel to freedom. That being the case, I have to say that I wish every eighth grade class would learn and perform The Tempest. Their upcoming transition is a big one.
Here are a few of Mary Swain's photos of our own wild place, set in our 7-8 classroom and lit by a dozen floor lamps, switched on and off and on and off during the storm; left on for the duration of the play; and turned off one by one by Prospero at the end, as he gave his and Shakespeare's valedictory.
|The Boatswain (Evan Rago) rages against the storm.|
|Prospero (Matthew Osterholzer) schools his daughter Miranda (Lindsay Barolo).|
|Prospero gives orders to his spirit-servant Ariel (Margaret Keillor).|
|Caliban (Kaeli Sikkenga) in a rage.|
|Ferdinand (Gabe Resnicow) is placed under Miranda's spell by Ariel.|
|Antonio (Marcellin Barbeau) and Sebastian (Karenna Collins-Thompson) hatch a dastardly and diabolical plot.|